An analysis of the human predilection toward violence in the novel the wars by timothy findley

She said the station had not filmed Israeli military operations in progress since a raid in Israeli Strategic Affairs Minister Avigdor Lieberman, also in Moscow on a visit, rejected any possibility of lifting the embargo or recognizing the planned new Palestinian government at this stage.

An analysis of the human predilection toward violence in the novel the wars by timothy findley

These personal obsessions are permanent fixtures in his fictional world. His agent was once struck by the number of rabbits in his work: The themes which dominate the major fictions are all here, too: But one theme emerges in clearer outline than ever before.

The breakthrough in the publication of this volume is to a starkly sexual politics.

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Most of Findley's characters spend much of their time simply watching other people and themselves; even the animals of Not Wanted on the Voyage are tireless watchers of other creatures.

Hence we note the importance of vantage points in Findley's terrain - where the sniper lurks, the sentinel stands - and the need for sharp eyes, binoculars, telescopes, cameras to capture the visual impressions, to stock memories like photographsand the ubiquitous mirrors.

Perceiving the self or selves is a major preoccupation because it is enjoyable as well as unavoidable, a source of innocent fun, and sometimes the gratification of less obvious, often libidinal, desires. Findley's characters, then, typically are intense spectators, and the spectacle they behold is frequently unusual, if not bizarre, when judged by the reader's everyday experience.

Difficulties arise when a character's view is so extraordinary or his or her behaviour so uncanny as to seem "crazy. Visual images and scenes in which characters stalk, observe, or make eye-to-eye contact with others as they try to maintain defensible positions on life's contours - an especially difficult task for those already unbalanced by the abnormal pulls of temperament and habits of mind - are numerous.

An analysis of the human predilection toward violence in the novel the wars by timothy findley

In the twelve stories which comprise Dinner Along the Amazon, optical imagery is Findley's primary means of projecting his imagined world into the reader's purview. We "see" how his characters are thrown off-center, how they are diminished or enlarged or in some way distorted sometimes tragically, often comically by the emotions which roil within them and which result in eccentricity.

More precisely, in Dinner Along the Amazon, Findley points to eyesight as a way in which people try to control or cope with life. Sight is used for at least five purposes: A number of stories in Dinner Along the Amazon illustrate these situations. I Findley's "Hello Cheeverland, Goodbye" opens with an epigraph damning the spiritless people of the land and raising an anguished "Howl, howl, howl.

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The comic exaggeration of events and characters in this story is in the spirit of John Cheever's early whimsical, later sardonic, chronicles, and they also exhibit Findley's own peculiar combination of the grotesque and the funny.

One of these heirs is pound Neddy Baker, an idiot of 23 years, who bawls obscenities toward William F. This frantic fellow might remind us of Faulkner's Benjy, but the waving hand is horrifically Findleyan; it appears again, at the end of the story, savoured by a neighbour's dog: Although the wives in Cheeverland regularly view others through their windows, Neddy is the first of the watchers to be individualized by name in the story.

He is an aggressive watcher, although his energy is too diffuse to be sadistic. Neddy's elderly neighbour, Professor Orin Dinstitch, late of Los Alamos, is not an aggressive watcher although the "allure of violence hangs" about him because he has sublimated instinct and canalized his venom into cruelty toward senior citizens.

He is secretly delighted "with the way they will not die. The first person she observes on the day the story begins is a stranger who arrives at the Andersons' house by taxi: Ishmael is settled into the maid's room now that Rosetta has moved back "downtown" where the Blacks gather. The room is conveniently near the bath where Ishmael drinks vodka and fantasizes over his collection of porn magazines.

Being television professionals, the Andersons are concerned with creating images. Alicia Anderson is obsessed with violence, not mere eroticism; she adds ultra-violence, as Anthony Burgess might put it, to simple melodrama.

She makes the voyeur in Ishmael's novel murder the girl that he was content to watch. Ishmael is a passive onlooker to the changes made by Alicia, who would transform everything in the TV viewers' menu if her dinner fork were a magic wand.

The Wars Quotes by Timothy Findley

She affects a Bloomsbury hat - "the very image of Virginia Woolf," writes Findley - but she carries a loaded. The story shows that violence and hard drugs have indeed penetrated the Sound, as have nude lesbians, backyard target practice, and power mowers that "shatter the pristinity of the atmosphere" - as did the Los Alamos bomb!

The next house guest who comes to the Andersons', watched by Miss Dinstitch and Ishmael, is Addie, Alicia's dangerous sister. As Addie enters the house by the front door, Arthur Anderson is in back with his telescope trained on the fighting Kileys, an unhappy couple struggling in a sailboat.

Lesbian Lydia Harmon, who is watching the voyeur, greets Arthur from the rear, "Who's winning? Lydia caresses Arthur's foot with her toe; Addie will later do much more for Ishmael. Arthur is sure Addie "needs" to be seduced Findley's emphasisbut he collapses his telescope and moves away.It would be particularly satisfying if The Eggcorn Database became, little by little, a collaborative tool.

There are several ways for you to help improve or support it, to contribute your knowledge, insight, discoveries or resources. - - - ~HISTORICAL INTERPRETATION 13 mere defence against violence Ca very considerable portion of which originates in forcible attempts to change the ownership of property) becomes of relatively less importance; and property relations increase in complexity and subtlety.

Timothy Findley, born in in Toronto, Canada, explores our human predilection towards violence in his third novel, The Wars. It is human brutality that initiates the horrors of World War I, the war that takes place in this narrative. The Wars study guide contains a biography of Timothy Findley, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

“What you people who weren't yet born can never know is what it meant to sleep in cities under silent falls of snow when all night long the only sounds you heard were dogs that parked at trains that passed so far away they took a short cut through your dreams and no one even woke. Timothy Findley, born in in Toronto, Canada, explores our human predilection towards violence in his third novel, The Wars.

It is human brutality that initiates the horrors Show More.

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